I recently attended the James Tiptree Jr. Symposium at the University of Oregon, which was an energetic and inspiring event. During one panel, Ursula K. Le Guin said that, “New artists often have to teach us how to read them.” My wife, Erica, immediately nudged me and said, “That’s you.”
I’ve been meaning to write about my writing for a long time. It seems like my work is unique, and often misunderstood. This is a common problem for artists whose work does not attempt to imitate other work that has previously been successful. When readers try to interpret such artists’ work through the lens of what they are already familiar with, instead of accepting it on its own terms, it is easy for them to feel that what is different is different because it is bad. Continue reading